Please note: You may be asked specifically about bolded works on exams.
Week 11
- Géricault, The African Slave Trade, 1820–23
- Eugène Delacroix (1798–1863), Scenes from the Massacre at Chios, 1824 (full title: “Scenes from the Massacres at Chios; Greek Families Awaiting Death of Slavery, etc.—See Various Accounts and Contemporary Newspapers”)
- Delacroix, watercolor study for Scenes from the Massacre at Chios, 1822–24
- Delacroix, Death of Sardanapalus, 1827
- Jean-Auguste-Dominique Ingres (1780–1867), Grand Odalisque, 1814
- Ingres, The Turkish Bath, 1862
- Jean-Léon Gérôme (1824–1904), Moorish Bath, 1870
- Jules Lecomte du Nouÿ (1842–1929), White Slave, 1888
- Lecomte du Nouÿ, Guard of the Seraglio: Souvenir of Cairo, 1876
- Gérôme, Snake Charmer, c. 1870
- Louis-Jacques Mandé Daguerre (1789–1851), Still Life in Studio, daguerreotype, 1837
- Daguerre, Boulevard du Temple, daguerreotype, 1839, with and without standing figure
- Georg Brander, Table Camera Obscura, 1769
- Samuel J. Miller (1822–1888), Frederick Douglass, daguerreotype, 1847/1852
- Honoré Daumier (1808–1879), Photography: A New Procedure Use to Ensure Graceful Poses, lithograph, 1856
- Anonymous, Butterfly Collector, daguerreotype, c. 1850
- John H. Fitzgibbon (1816–1882), Kno-Shr, Kansas Chief, daguerreotype, 1853
- William (1807–1874) and Frederick (1809–1879) Langenheim, Eclipse of the Sun, daguerreotypes, 1854
- John Adams Whipple (1822–1891), Moon, daguerreotype, c. 1851
- William Henry Fox Talbot (1800–1877), Wild Fennel, photogenic drawing, 1839
- Fox Talbot, The Open Door, calotype, 1843
- David Octavius Hill (1802–1870) and Robert Adamson (1821–1848), Sergeant of the Forty-Second Gordon Highlanders Reading the Orders of the Day, calotype, 1846
- Hill and Adamson, Alexander Rutherford, William Ramsay and John Liston, calotype, c. 1846
- Hill and Adamson, Lady Ruthven, calotype, c. 1845
- Félix-Jacques Moulin, French, (1802–1869), Female Nude, albumen print, 1856
- Moulin, Algerian Man, albumen print, c. 1856
- Timothy O’Sullivan (1840–1882), Ancient Ruins in the Canyon de Chelly, albumen print, 1873
- Anonymous, Place de la Concorde, Paris, stereograph, c. 1860
- Underwood and Underwood, The Great Pyramid of Gizeh, stereograph, 1908
- Anonymous, The Fresh View Agent Soliciting (Stereoscopes in Use), stereograph, 1860s
- Roger Fenton (1819–1869), The Chinese Carving in Ivory, stereograph, c.1860
- Anonymous, Venus de Milo, stereoscopic daguerreotype, c. 1850
- Underwood and Underwood, Surgical Instruments Found in a Physician's Home, Pompeii, Italy, stereograph, 1897
- Lewis Morris Rutherfurd (1816–1892), Full Moon, stereograph, 1860s
- Anonymous, Laundress, stereograph, 1850s
- Gardner’s Photographic History of the Civil War, 1866:
- Timothy O’Sullivan (1840–1882), A Harvest of Death, Gettysburg, July 1863
- O’Sullivan, Field Where General Reynolds Fell, Gettysburg, 1863
- Alexander Gardner (1821–1882), Sharpshooter’s Last Sleep, Gettysburg, 1863
- Gardner, Home of the Rebel Sharpshooter, Gettysburg, 1863
- Antoine-Jean Gros (1771–1835), Napoleon Receiving the Capitulation of Madrid, 4 December 1808 at Six O’Clock in the Morning—General Don Fernando de la Vera, Governor of Madrid, Imploring the Emperor for Clemency, 1810
- Francisco Goya (1746–1828), Disasters of War (c. 1810–1820; not published until 1863): "One Can’t Look" (Disasters 26), "Why?" (Disasters 32), "It Will be the Same" (Disasters 21)
- Goya, Third of May, 1808, 1814–15
- José de Madrazo y Agudo, The Death of Viriato, Leader of the Lusitanians, 1808
- Ingres, Apotheosis of Homer, 1827
- Gustave Courbet (1819–1877), Self-Portrait (The Desperate Man), 1844–45
- Caricature of Courbet, 1867
- Courbet, The Stonebreakers (Doubs), 1849
- Courbet, Burial at Ornans, 1849–50
- Albert Bertall, The Burial at Ornans, by Courbet, Master Painter, 1851
- Napoleon’s Funeral Procession in 1821, woodcut, Epinal, 1835 and The Steps of Life, woodcut, Epinal, c. 1830
- Courbet, The Bathers, 1853
- Julien Vallou de Villeneuve (1795–1866), Nude Study, c. 1853
- Courbet, The Wrestlers, 1853
- Charles-François Jalabert (1819–1901), The Plague of Thebes (Antigone leads Oedipus out of Thebes), 1842
Week 12
- Courbet, Young Ladies on the Banks of the Seine, 1857
- Edouard Manet (1832–1883), Concert in the Tuileries, 1862
- Manet, The Street Singer, c. 1862
- Manet, Déjeuner sur l’herbe (Luncheon on the Grass), 1863
- Pesme, Académie, 1862
- Marcantonio Raimondi, The Judgment of Paris, engraving, 1517
- Alexandre Cabanel (1823–1889), Birth of Venus, 1863
- William-Adolphe Bouguereau (1825–1905), Birth of Venus, 1879
- Manet, Olympia, 1863 (exhibited Salon of 1865)
- Cham, Birth of the Little Cabinet Maker, 1865; Bertall, The Tail of the Cat, or the Coal-Seller of the Batignolles, 1865
Week 13
- Edouard Manet (1832–1883), The Railway, 1873
- Manet, The Waitress, 1878–79
- Claude Monet (1840–1926), Gare St. Lazare: The Western Docks, 1877
- Le Pont de l'Europe from Le Gare St. Lazare, c. 1868
- Monet, Impression: Sunrise, 1872
- Monet, Boulevard des Capucines, 1873–74
- Hippolyte Jouvin, Boulevard de Strasbourg, stereograph, 1860–65
- Monet, Grainstack (Snow Effect), 1891
- Monet, Grainstack (Sunset), 1891
- Edgar Degas (1834–1917), Place de la Concorde (Viscount Lepic and his Daughters), c. 1875
- Degas, The Star, or Dancer on Stage, c. 1876–77
- André Adolphe Eugène Disdéri (1819–1889), Legs of the Opera, c. 1870
- Degas, Orchestra Musicians, 1870–71; 1874–76
- Degas, In a Café (Absinthe), 1876
- Degas, Women in Front of a Café, Evening, 1877
- Berthe Morisot (1841–1895), The Cradle, 1872
- Morisot, Woman with a Fan: Madame Marie Hubbard, 1874
- Mary Cassatt (1845–1926), Woman in Black at the Opera, 1879
- J. J. Grandville (1803–1847), "Venus at the Opera" from Another World, 1844
- AND plate from Small Miseries of Human Life, 1843
- Cassatt, Young Girl in a Blue Armchair, 1878
- Cassatt, Lydia Crocheting in the Garden (The Garden), 1880
- Cassatt, Lydia at a Tapestry Frame, c. 1881
- Andō Hiroshige (1797–1858), One Hundred Famous Views of Edo, 118 woodblock prints, 1856–58: "Cotton Goods Lane, Odenma-cho"; "Evening Rain at Atake on the Great Bridge"; "Naito, New Station at Yotsuya"; "Haneda Ferry and Benten Shrine"; "Plum Orchard at Kameido"
- Degas, Mary Cassatt, The Painting Gallery at the Louvre, 1879-80
- Vincent Van Gogh (1853–1890), Cherry Blossoms, 1887
- Van Gogh, Self-Portrait Dedicated to Paul Gauguin, 1888
- Van Gogh, The Night Cafe, 1888
- Van Gogh, Starry Night, 1889
- Paul Gauguin (1848–1903), Vision After the Sermon: Jacob Wrestling with the Angel, 1888
- Katsushika Hokusai (1760–1849), Hokusai Manga, vol. 3 (‘Hokusai sketches,’ 15 vols. publ. 1814–78)
- Universal Exposition, Paris, 1889: Poster, Japanese Pavilion, Javanese village and “villagers”
- Gauguin, Fatata te miti (By the Sea), 1892
- Gauguin, Manao tupapau (Spirit of the Dead Watching), 1892
- Gauguin, Te nave nave fenua (The Delightful Land), 1892
- Gauguin’s photographs of reliefs on the Temple of Borobudur, Indonesia
- Gauguin, Where Do We Come From? What Are We? Where Are We Going? 1897-98
Week 14
- Fang Mask, Gabon, 19th C and the mask hanging in André Derain’s studio
- Kota Reliquary Figure, Democratic Republic of the Congo, 19th century
- Iberian head, c. 5th–3rd century BCE and mask, Etumbi region, Democratic Republic of Congo, 19th century
- Pablo Picasso (1881–1973), Les Demoiselles d’Avignon, 1907
- Jean-Dominique Ingres (1780–1867), Venus Anadyomene, 1848
- Picasso, Mother and Child, 1907
- Picasso, Portrait of Daniel-Henry Kahnweiler, 1910
- Georges Braque (1882-1963), The Portuguese, 1911–12
- Picasso, The Guitar, 1912
- Krou (Grebo) mask, Ivory Coast or Liberia, bought by Picasso in 1912
- Picasso, Guitar, Sheet Music and Glass, 1912
- Wassily Kandinsky (1866–1944), Improvisation 28, 1912
- Kandinsky, Composition VII, 1913
- Kasimir Malevich (1878–1935), Suprematist Painting: White on White, 1918–19
- Piet Mondrian (1872–1944), Composition with Red, Blue and Yellow, 1930
- Hilma af Klint (1862–1944), The Swan, 1914–15
- Af Klint, Paintings for the Temple, 1906–1915
- Hugo Ball Reciting a Sound Poem, c. 1917; Sophie Taeuber-Arp, Dancer in Zurich, 1917; George Grosz, Dada Death, 1918
- First International Dada Fair, Berlin, 1920
- Prussian Archangel and The Petite-Bourgeois Philistine Heartfield Gone Wild, 1920
- Marcel Duchamp (1887–1968), Fountain, 1917
- Hannah Höch (1889–1933), Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany, 1919–20
- Höch, The Beautiful Girl, 1919-20
- Raoul Hausmann (1886–1971), Mechanical Head (Spirit of Our Time), 1920
- Hausmann, Self-Portrait of the Dadasoph, 1920
- André Masson (1896–1987), Birth of Birds, c. 1925
- Masson, Battle of the Fishes, 1926
- Salvador Dalí (1904–1989), Persistence of Memory, 1931
- Meret Oppenheim (1913–1985), Object (Fur Luncheon), 1936
- The World in the Time of the Surrealists (Surrealist Map), 1929
- The Truth about the Colonies, Surrealist exhibition, 1931
- Wifredo Lam (1902–1982), The Jungle, 1943
- Jackson Pollock (1912–1956), Number 30 (Autumn Rhythm), 1950
- Pollock, Number 1 (Lavender Mist), 1950
- Navajo Sand Painters, Indian Art of the United States, MoMA, 1941
- Mark Rothko (1903–1970), Orange and Yellow, 1956
- Rothko, Untitled (Painting), 1953
- Rothko, Red on Maroon, 1959
Week 15
- Norman Lewis (1909–1979), Evening Rendezvous, 1962
- Lee Krasner (1908–1984), City Verticals, 1953
- Roy Lichtenstein (1923–1997), Takka Takka, 1962
- Lichtenstein, Drowning Girl, 1963
- Andy Warhol (1928–1987), Campbell’s Soup Cans, 1962
- Views of the Factory and Brillo Box, 1964
- Warhol, Green Disaster, 1963
- Warhol, Electric Chair, 1964
- Warhol, Pink Race Riot, 1964
- Carolee Schneeman (b. 1935), Interior Scroll, 1975
- Guerrilla Girls (founded 1984), Girls Report Card, 1986, and How Women get Maximum Exposure in Art Museums, 1989
- Guerrilla Girls, Girls Report Card, 2015
- Adrian Piper (b. 1948), The Mythic Being, 1973-1975
- Piper, I Embody Everything You Most Hate and Fear, 1975
- Piper, Cruising White Women, 1975
- Piper, Cornered, 1988
- James Luna (1950–2018), Artifact Piece, 1987
- Romuald Hazoumé (b. 1962), La Bouche du Roi, 1997–2005
- Jacopo Pontormo (1494–1557), Visitation, 1528–29
- Ulf Saupe (b. 1979), Res Navalis, 2017